top of page

Ballet Dance Books




























Description: This ballet terminology book for kids is a great resource for all children taking ballet grades. This ballet dictionary for children is also suited to those who need a basic book to learn ballet step by step and have no ballet experience. It contains most of the widely used ballet terms in ballet classes and exams . This illustrated ballet dictionary for kids comes with detailed ballet poses in full colour to help learn ballet step by step. The Children's Ballet Dictionary An Illustrated Guide is a helpful resource for those who have a general interest in ballet and will help to understand and learn ballet terms. The book is also a suitable ballet dictionary for teens.This ballet dictionary for children is the ideal gift for a ballet pupil. It is a great ballet dictionary with pictures and will help pupils excel in their exams













Description: Gray's (Small Green Snake) narrator shares a melodic remembrance of her mother, who welcomed each season with boundless enthusiasm-and bade her daughter to do the same: ""Bless the world/ it feels like/ a tip-tapping/ song-singing/ finger-snapping/ kind of day. / Let's celebrate."" The two danced barefoot in the spring rain, ran through the summer surf with balloons and kites tied to their wrists, performed a ""leaf-kicking/ leg-lifting/ hand-clapping/ hello autumn ballet,"" and lay on the ground to make snow angels in winter. Shifting to the present tense, the girl-now a ballerina-notes how these memories serve as inspiration as she leaps across the stage. Though her imagery tends toward the precious, Gray has crafted a genuinely affectionate, personal tribute to someone who embraced life wholeheartedly. Colon (Always My Dad) contributes sophisticated, inventively textured art, rendered in an intriguing combination of watercolor washes, etching, and colored and litho pencils. The pictures gracefully convey the chronic motion described in Gray's text; their muted, earth-toned colors lend a nostalgic feel. Ages 4-8. (Sept.)






















Description: Aspiring ballerina Dani Spevak is thrilled when hit TV show Teen Celebrity Dance Off comes to the campus of her performing arts boarding school. She trades the barre for the ballroom and gets set to cha-cha-cha to stardom with Hollywood wonderboy Nick Galliano. At first their partnership is awkward, because Dani is in awe of her longtime teen idol crush. But soon their chemistry is heating up the dance floor and the attraction moves into real life. Could he actually like her? Her excitement is short-lived, because someone wants her off the show. Bombs, poisoning, arson… Will Dani’s 15 minutes of fame be over before she reaches age 15? Dani and her friends are suddenly at the center of some serious sabotage. And if she doesn’t find out who is behind it, her next pirouette could be her last. It's like "Nancy Drew in toe shoes" in this light-hearted tween mystery, a finalist for Romance Writers of America's Golden Heart® Award for Best Young Adult Romance. What they’re saying: “It reminded me so much of my childhood, and I have no doubt this would have been my favorite series. Young girls are in for a treat with Daniela Spevak pirouetting through mystery, mayhem and maybe a little romance. It's Nancy Drew meets Dancing with the Stars! What could be better?” - Broadway actress/dancer Cara Cooper (Jersey Boys) “Fans of Pretty Little Liars and Ally Carter’s Gallagher Girls will love CODENAME: DANCER. Sparks fly, tutus twirl, and a clever mystery unravels in what is sure to become a favorite among teens and tweens everywhere. Amanda Brice’s debut is a must read for every girl who ever danced - or ever wanted to!” - NY Times Bestselling Author Gemma Halliday “Amanda Brice's debut novel has something that will appeal to everyone, especially ballet enthusiasts, mystery lovers and fans of reality TV competitions. Even if you don't know a thing about dance, you'll be easily drawn into this quick-paced story with authentic characters and big stakes. I adored Dani and found myself rooting for this spunky heroine. Can't wait for the sequel!” - Rhonda Stapleton, author of STRUCK “CODENAME: DANCER is a mystery-filled romance that will twirl its way into your heart. Dani is a heroine every girl (and woman) will root for. This is a stand-out debut novel for Amanda Brice!” - Melissa Francis, author of BITE ME! “A perfect example of YA done right.” - I'd So Rather Be Reading review blog


Description: It's the most wonderful time of the year... Aspiring ballerina Dani Spevak's visions of sugar plums are dashed when she's assigned to understudy her nemesis, Hadley Taylor, in The Nutcracker. Pretty, popular, and rich, that girl has all the luck. Or so she thought. When Hadley mysteriously disappears with opening night just around the corner, Dani can't sit idly by, even if it means losing the part. Now she's running all over Phoenix in a race against the clock. From reality TV trophy wives to sleazy real estate developers to a possible drug ring, the cast of suspects begins to add up. Will she find Hadley before the curtain rises? Book 2 in the Dani Spevak Mystery Series! Praise for Amanda Brice and the Dani Spevak Mystery Series: "From the authentic atmosphere of a ballet boarding school to the recognizable humor and angst of teenage girls, POINTE OF NO RETURN hits all the right notes and kept me turning the pages." - Former professional ballerina Miriam Landis-Wenger, author of BREAKING POINTE and GIRL IN MOTION "References that include everything from Snooki to Chewbacca will have you laughing out loud." - Romantic Times on CODENAME: DANCER "A perfect example of YA done right." - I'd So Rather Be Reading on CODENAME: DANCER "It's Nancy Drew meets Dancing with the Stars! What could be better?" - Broadway actress/dancer Cara Cooper on CODENAME: DANCER "Fans of Pretty Little Liars and Ally Carter's Gallagher Girls will love CODENAME: DANCER." - NY Times bestselling author Gemma Halliday "Even if you don't know a thing about dance, you'll be easily drawn into this quick-paced series with authentic characters and big stakes." - Rhonda Stapleton, author of STRUCK "CODENAME: DANCER is a mystery-filled romance that will twirl its way into your heart." - Melissa Francis, author of BITE ME! and LOVE SUCKS! "An excellent read with crisp writing and a compelling story." - Juli Alexander, author of MY LIFE AS THE UGLY STEPSISTER on CODENAME: DANCER "Dani is such a vibrant character that she leaps right off the pages and into your heart." - Cynthia Justlin, author of HER OWN BEST ENEMY








Description: As Isabelle rehearses her ballet routine for The Nutcracker, she wonders if she'll ever master her pirouettes, especially with her classmate Renata pointing out her every mistake. She tries focusing on the other parts of the production she enjoys: exploring the costume and props room and helping out with costumes for some of the younger dancers. But when Jade, her big sister who also attends Anna Hart School of the Arts, becomes moody and withdrawn, Isabelle taps into her design skills to try to find a solution for Jade. In the meantime, can Isabelle find the confidence to tune out Renata and perfect her own performance, too?As Isabelle rehearses her ballet routine for The Nutcracker, she wonders if she'll ever master her pirouettes, especially with her classmate Renata pointing out her every mistake. She tries focusing on the other parts of the production she enjoys: exploring the costume and props room and helping out with costumes for some of the younger dancers. But when Jade, her big sister who also attends Anna Hart School of the Arts, becomes moody and withdrawn, Isabelle taps into her design skills to try to find a solution for Jade. In the meantime, can Isabelle find the confidence to tune out Renata and perfect her own performance, too?





Moving from "abstract ballet" and "adage, adagio" to "working leg" and "wrapped position," the book fully describes and defines over 1,100 ballet steps (saul de chat, jeté enveloppé, failli, entrechat six, etc.), movements and poses (arabesque, épaulement, attitude, en arrière, retiré, à terre, dégagé, etc.), and other expressions and concepts. For each, first a phonetic transcription is provided, then a literal translation, and finally an explanation of how the step is performed, the pose captured, or the movement executed, of how the concept fits in with actual ballet dancing, or of the purpose or function of the idea. A pronunciation guide, cross-references to alternate names for similar steps and positions that vary from the Russian to the French or Italian schools, and a bibliography are all invaluable aids.










Description: "Dance is a powerful, frequently adopted symbol of the way people feel about themselves." So concludes the author of this book, a general introduction to the anthropology of dance. Since anthropology has broadened its horizons to include Western, industrialised and urban societies, the study of dance culture may, with equal legitimacy, observe ballet, the Hawaiian hula, the classical tradition of Bharata Natyam, the pigeon wings and polkas of the Californian gold rush miners, and the minuets of colonial Virginia planters. Dance makes its unique contribution to society and culture by virtue of its form and expression; at the same time it is intimately bound up with elements of religion, kinship and social organisation, politics and economics. The fact that dance is inseparable from its means of expression - the human body making patterns in time and space - means that it cannot be divorced from its social and cultural context. The author first explores the various meanings that dance has had over time for different peoples. Next she focuses on the place that dance has occupied in anthropological studies over the past one hundred years. Techniques for studying and recording dance are discussed, including notation systems, field guides, film, and anthropological means of participant-observation. The book then turns to structural and functional analyses, comparing them with reference to their different purposes and capabilities. Part Two presents three perspectives frequently used by anthropologists to view dance: the historical, the comparative and the symbolic. Extended and fascinating case studies based on the author's research illustrate each of these perspectives: American colonial dance, North American Indian urban powwow dancing, and Zapotec dance of the Mexican Isthmus. Part Three discusses two categories of research that will be significant in the future but which have not yet been fully explored. They are creativity and aesthetics, on the one hand, and communication and meaning on the other. The author concludes by pointing to some fruitful directions for future research in dance anthropology.









Library ballet dance piano violin books must read.  Jacklyn Dougherty
Library Reading is Fun

Violin and Piano School Florida.  Zoom, Online and In Person Orlando Florida
Be the first to know!

Thanks for subscribing!

bottom of page