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how Fourth Russian arabesque


Fourth Russian arabesque ballet with Jacklyn Dougherty  The legs are in the same position as third Russian arabesque.  Arms held at shoulder level. The arm on the side of the supporting leg is brought forward and the working leg arm taken back far enough to be seen behind the back. The body is half turned away from the audience.  Arching of the back and the head turned toward the audience.
Jacklyn Dougherty how to ballet

Fourth Russian arabesque ballet with Jacklyn Dougherty

The legs are in the same position as third Russian arabesque. Arms held at shoulder level. The arm on the side of the supporting leg is brought forward and the working leg arm taken back far enough to be seen behind the back. The body is half turned away from the audience. Arching of the back and the head turned toward the audience.

how Fourth Russian arabesque

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